En este artículo trato de especificar la noción de “Alta Comedia” (la modalidad dramática más importante y característica a finales del siglo XIX en España), y estudio la contribución de Manuel Bretón de los Herreros a este subgénero. In this article I try to specify the concept of “High Comedy” (the most important and characteristic dramatic modality in Spain, in the end of the nineteenth century), and I study the Bretón de los Herreros’ s contribution to this subgender
La historia del teatro español de la segunda mitad del siglo XIX, en su doble faceta textual y espec...
The comedies of Pedro Muñoz Seca (1879-1936) received extraordinary public acclaim for over thirty y...
This article participates in the controversy about the notion of romantic comedy. After critically r...
International audienceIn the 19th century, writers were taken over, according to very political crit...
Este artículo pretende analizar la vertiente política del celebre dramaturgo Manuel Bretón de los He...
En el siglo XIX, los escritores fueron reinterpretados dentro de unas coordenadas eminentemente polí...
El presente trabajo busca estudiar el contexto literario decimonónico en el que se inserta el drama ...
This article describe the different processes used by Bretón de los Herreros to publish his comedies...
The short plays of Manuel Bretón de los Herreros (1796-1873) have been traditionally identified with...
Palatine comedy was one of the favourite comic subgenres for playwrights and audience in the sevente...
Ce travail de recherche porte sur les comédies de magie qui succèdent à l’événement théâtral ...
The dramatic subgenre initiated at the end of the eighteenth century and the beginning of the ninete...
At the comedy, Hombre pobre todo es trazas (1628), Calderón uses a lot of resources that apparently ...
This article aims to analyse the satirical genre and its connections with Poetics in the Spanish Poe...
In this paper, it is analised the reproving perception of the 19th theatrical critic to the theater ...
La historia del teatro español de la segunda mitad del siglo XIX, en su doble faceta textual y espec...
The comedies of Pedro Muñoz Seca (1879-1936) received extraordinary public acclaim for over thirty y...
This article participates in the controversy about the notion of romantic comedy. After critically r...
International audienceIn the 19th century, writers were taken over, according to very political crit...
Este artículo pretende analizar la vertiente política del celebre dramaturgo Manuel Bretón de los He...
En el siglo XIX, los escritores fueron reinterpretados dentro de unas coordenadas eminentemente polí...
El presente trabajo busca estudiar el contexto literario decimonónico en el que se inserta el drama ...
This article describe the different processes used by Bretón de los Herreros to publish his comedies...
The short plays of Manuel Bretón de los Herreros (1796-1873) have been traditionally identified with...
Palatine comedy was one of the favourite comic subgenres for playwrights and audience in the sevente...
Ce travail de recherche porte sur les comédies de magie qui succèdent à l’événement théâtral ...
The dramatic subgenre initiated at the end of the eighteenth century and the beginning of the ninete...
At the comedy, Hombre pobre todo es trazas (1628), Calderón uses a lot of resources that apparently ...
This article aims to analyse the satirical genre and its connections with Poetics in the Spanish Poe...
In this paper, it is analised the reproving perception of the 19th theatrical critic to the theater ...
La historia del teatro español de la segunda mitad del siglo XIX, en su doble faceta textual y espec...
The comedies of Pedro Muñoz Seca (1879-1936) received extraordinary public acclaim for over thirty y...
This article participates in the controversy about the notion of romantic comedy. After critically r...